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The mirror surface placed underneath this wall, and the ceiling- wall- and painting fragments reflected off it in accordance with the spectators movements, serve to question ones perception of space firstly, then to raise the social aspects of closure and disclosure. The sense of insecurity triggered by the installation is balanced by the abstract tondi in the foyer and on the wall facing the entrance. Their concreteness, which manifests both in the medium and in the shape, contrasts with the installation, but functions also as a reference point for the interpretation of the whole exhibition.
The individual character of his art revealed itself from the onset of his career, drawing on Pop Art, street art, graffiti art, photorealism and montage in his unique approach to hard edge painting. Although his works are based on images from our daily lives, owing to the unusual crops and surfaces of different pictorial techniques within the same painting, Batykos paintings can best be characterised as abstract.